Although Mykonos itself is a work of art, there are places where art is not simply displayed, but lived with. At Tharroe of Mykonos, art forms part of the hotel’s identity through a private collection and carefully chosen objects that create a continuous dialogue between past and present.
The hotel’s spaces are shaped by artworks, architectural elements and objects with history, integrated naturally into everyday life rather than presented as formal exhibits.
Art at Tharroe exists quietly, offering depth, texture and meaning without imposing itself.
Chapter I – Objects with Memory
• The reception desk, dating back to 1890,
was originally part of a professor’s auditorium at Manchester University and was acquired through auction.
Crafted for academic use, it still preserves
its original ink wells, once used for writing with pen and ink.
Today, it remains in daily use, carrying its original function forward, while connecting the hotel’s present with its scholarly past.
• The large breakfast buffet table
also originates from the library of the same university, reinforcing the sense of continuity between knowledge,
gathering and shared experience.
• The entrance door of Barbarossa Restaurant comes from a neoclassical house on the island of Syros, bringing with it the architectural memory of another Cycladic era.
• The handmade ceiling of the Atrium
was designed and constructed by
master artisan Evangelos Poulas,
reflecting traditional craftsmanship and
attention to detail that cannot be replicated.
Chapter II – Sculpture & Art Collection
The private art collection of Tharroe of Mykonos is displayed throughout public areas and rooms, allowing guests to encounter art organically during their stay.
Sculptures by Andrew Wielawski include:
Corsica & Amaryllis in the Atrium
The Whale at the hotel entrance
The Mask at the Main Bar
The Minotaur Woman
Man with an Apple at the pool veranda
Katrina (wood sculpture) in the Panorama Suite
Each piece contributes to the character of its surrounding space, reinforcing the hotel’s layered narrative of mythology, form and material.
Chapter III – Painting & Atmosphere
Paintings by Katerina Karagianni and Marina Petri are displayed throughout the hotel,in both common areas and guest rooms. Their works introduce texture, light and a quiet emotional presence, drawing inspiration from Greek tradition and everyday life. Integrated naturally into the spaces, the paintings accompany guests throughout their stay, allowing art to become part of the private experience, rather than a formal display.
A small collection of silkscreen prints inspired by master artworks further complements the visual language of the hotel, reinforcing the idea that art at Tharroe is not static, but lived with.
At Tharroe of Mykonos, art is not a statement. It is part of the atmosphere, the rhythm and the memory of the place.








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